Adobe InDesign clipping color, and fnishing techniques paragraph composer tables 140 260 181 330 146 132 Baseline adjacent columns 119 aligning the baseline 122 alternate baseline grids 123 bottom margin 120 caption boxes 122­123 Binding "creep" at trim and spine 322 embossing and debossing 324 Caps drop caps body copy, and 62 small caps 62 long passages of body copy 55 Caption boxes base line 122­123 see also Base line Cell phone see Camerawork Character combinations see Typography Chicago Manual of Style, The 309 Clients 342­351 anger, with 372 approval of visuals 364 availability 369 brief 342­343 attracting attention 187 bad color combination, lack of 231 bold choices of 194 brightness of 196 calm, creating with 210 carnation pink 228 color + time can = brand 230 color wheel 177 creating movement 208 creating tension with 209 cultural differences of 192 emotional response to 223 emphasis 188 fuorescent links 215 psychology of 190­191 rejection of 191 questions on 222 reason for choice 193 rendering intents 183 RBG and CMYK 180, 182­183 screening a color to less than 7% 202 surroundings, change of 184 synchronicity of applications 181 tints from tints 201 tonal quality 204 transparency of ink 196 trends of 224­225 underpainting 221