Recording Studio Design, 2nd Edition > Appendix 3

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Recording Studio Design, 2nd Edition

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Table of Contents

Preface to Second Edition

Introduction

Chapter 1 General requirements and common errors

Chapter 2 Sound, decibels and hearing

Chapter 3 Sound isolation

Chapter 4 Room acoustics and means of control

Chapter 5 Designing neutral rooms

Chapter 6 Rooms with characteristic acoustics

Chapter 7 Variable acoustics

Chapter 8 Room combinations and operational considerations

Chapter 9 The studio environment

Chapter 10 Limitations to design predictions

Chapter 11 Loudspeakers in rooms

Chapter 12 Flattening the room response

Chapter 13 Control rooms

Chapter 14 The behaviour of multiple loudspeakers in rooms

Chapter 15 Studio monitoring: the principal objectives

Chapter 16 The Non-Environment control room

Chapter 17 The Live-End, Dead-End approach

Chapter 18 Response disturbances due to mixing consoles and studio furniture

Chapter 19 Objective measurement and subjective evaluations

Chapter 20 Studio monitoring systems

Chapter 21 Surround sound and control rooms

Chapter 22 Human factors

Chapter 23 A mobile control room

Chapter 24 Foldback

Chapter 25 Main supplies and earthing systems

Chapter 26 Analogue audio interfacing

Appendix 1 Extracted from the Proceedings of the Institute of Acoustics (UK), (Vol. 22, Part 6) Reproduced Sound 16 Conference, Stratford-upon-Avon, UK

Appendix 3 Figure A3.1 View towards the rear of the Jensen designed control room at Sintonia, Madrid, Spain, showing the exposed entrances to the sawtooth absorbers on the side wall

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Appendix 3 - Pg. 676