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    Cover Page
    Logic Pro 9 Audio and Music Production
    Copyright page
    Table of Contents
    About the Authors
    Acknowledgments
    Chapter 1. The Logic Concept
    Chapter 2. Logic's Interface
    Chapter 3. Getting Connected
    Chapter 4. Starting a Project
    Chapter 5. Audio Regions and Editing
    5.1 Introduction
    5.2 The Big Picture ­ Forming Your Basic Arrangement
    5.3 Using the Inspector
    5.4 Working with Loops, Copies, and Aliases
    5.5 Precise Region Editing
    5.6 Snapping ­ Understanding Your Editing Grid
    5.7 Resizing and Cutting Regions
    5.8 Fades and Crossfades
    Using the Crossfade Tool to Create Fades
    Changing the Drag Mode to Create Fades
    Using the Fade Parameter to Create Fades
    5.9 Speed Fades
    5.10 Quick Swipe Comping
    5.11 Expanding the Take Folder and Creating Basic Comps
    5.12 Time Slipping a Quick Swipe Comp
    5.13 Flattening or Merging a Comp
    5.14 Flex Time Editing
    5.15 Flex Time View and Flex Time Modes
    5.16 Transient Markers and Flex Markers
    5.17 Quantizing Audio with Flex Time
    5.18 Separating Regions Based on Transient Markers
    5.19 Freezing a Flex Time Track to Save CPU
    5.20 Editing Multiple Tracks Using Edit Groups
    5.21 Drum Replacement
    5.22 Sample Editor Principles
    5.23 Sample Editor Applications
    5.24 Inserting and Deleting Sections of Your Song
    5.25 Working with Tempo and Loops
    5.26 Managing Your Audio Files and Regions
    5.27 Using Folders and Hiding Tracks
    Chapter 6. MIDI Sequencing and Instrument Plug-Ins
    Chapter 7. Creative Sound Design
    Chapter 8. Mixing in Logic
    Chapter 9. Mastering in Logic
    Chapter 10. Logic and Multimedia Production
    Chapter 11. Optimizing Logic
    Subject Index
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    Chapter 5. Audio Regions and Editing > 5.8 Fades and Crossfades - Pg. 97

    Logic Pro 9: Audio and Music Production Figure 5.13 The Marquee Tool is a useful way of muting audio events within a region ­ simply enclose the area and press M.