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    FRONT COVER
    VIDEO PRODUCTION HANDBOOK
    COPYRIGHT PAGE
    CONTENTS
    ACKNOWLEDGMENTS
    INTRODUCTION
    CHAPTER 1. Overview of Video Production
    CHAPTER 2. Production Crew
    CHAPTER 3. Organizing the Production
    CHAPTER 4. Production Techniques
    CHAPTER 5. Writing for Video
    CHAPTER 6. The Camera
    CHAPTER 7. Using the Camera
    CHAPTER 8. Shooting People and Objects
    CHAPTER 9. Working with the Talent
    CHAPTER 10. Audio for Video
    10.1 The Essential Component
    10.2 The Nature of Sound
    10.3 Acoustics
    10.4 Mono Sound
    10.5 Stereo Sound
    10.6 Surround Sound
    10.7 Microphone Care
    10.8 Directional Features
    10.9 Popular Types of Microphones
    Supporting the Microphone
    10.10 Camera Microphones
    10.11 The Handheld Microphone
    10.12 The Shotgun Microphone
    10.13 Using the Shotgun Microphone
    10.14 The Shotgun and the Boom Pole (Fishpole)
    10.15 Lavalier (Lapel or Clip-on Mic) Microphones
    10.16 Boundary or PZM Microphone
    10.17 Hanging Microphone
    10.18 Surround Sound Microphone
    10.19 Microphone Stands and Mounts
    10.20 Wireless Microphone
    10.21 Hidden Mics
    Controlling Dynamics
    10.22 Dynamic Range
    10.23 Automatic Gain Control (AGC) for Audio
    10.24 Manual Control
    10.25 Monitoring the Audio
    10.26 The Audio Mixer
    10.27 Using the Audio Mixer
    10.28 Natural Sound
    10.29 Anticipation
    10.30 Anticipating Sound Editing
    10.31 Filtered Sound
    10.32 Reverberation
    10.33 Program Music
    10.34 Sound Effects
    CHAPTER 11. Lighting for Video
    CHAPTER 12. The Background
    CHAPTER 13. Television Graphics
    CHAPTER 14. Recording and Viewing the Video
    CHAPTER 15. Editing
    CHAPTER 16. Distributing Your Production
    GLOSSARY
    INDEX
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    CHAPTER 10. Audio for Video - Pg. 229

    CHAPTER 10 Audio for Video 229 The true mark of an audio track's success--to sound so natural under a given scene that it draws no attention to itself. --Walter Schoenknecht, Midnight Media Group Historically, audio has been slighted in the world of television. most manufactur-