312 Final Cut Pro Workflows Broken timecode, 90­92 B-roll editing, 139 Byte, definition, 69 C Cameras, virtual, 184 Capture card, 66 Capture Settings tab. See Log and Capture window CBR. See Constant bitrate Challenge, vendor booking, 242 Chroma broadcast legality, 178 Show Excess Chroma, 189­190 Chroma smearing, compression artifact, 76 Chroma subsampling compression, 70 sampling ratios, 43­44 Cinema Tools, features and appli- cations, 218 Clip Overlays, Timeline Layout, 148 Clip Settings tab. See Log and Capture window Codec, 4, 6. See also Compression; specific codecs conundrum, 68 data rate lowering, 70­71 functions, 67­68 installation and removal, 80 workflow relevance, 67 Color correction, 177 broadcast legality, 178 cool, desaturated look, 194 FCP techniques, 189­194 improper white balance correc- tion, 193­194 overexposed footage, 193 underexposed footage, 193 warm, saturated look, 194 Color grading, 177 broadcast legality, 178 examples, 177 FCP techniques, 189­194 Colorist traditional roles and FCP impact, 30­31, 298 Color mapping, still images, 104 Color program features and applications, 211­213 video scopes, 178­180 Combustion, motion graphics, 105 Communications director, func- tions, 257 Compatibility, FCP advantages, 9 Component video, 52 Composite video, 52 Compositing FCP techniques, 201­206 finishing, 182­184 Compositor traditional roles and FCP impact, 30, 298 Compression. See also Codec artifacts, 76 audio filters, 200 data rate lowering, 70­71 formats. See specific formats lossless compression, 71­72 lossy compression, 72 ratio, 71 spatial compression, 72­73 temporal compression, 73 Compressionist traditional roles and FCP impact, 29 Compressor 3 importing clips and sequences, 218 Web video export, 171­172 Conforming, 176­177 FCP techniques, 184­189 Constant bitrate (CBR), 70 Continuity, problems, 94­95 D D-1, historical perspective, 38­39 D-2, historical perspective, 39 D-3, historical perspective, 39 D-5 HD FCP interfacing, 62 technical specifications, 62 D-5 SD FCP interfacing, 58 technical specifications, 58 DAM, see Digital asset manage- ment Data rate codec lowering, 70­71 terminology, 69 Databases, FCP compatibility, 110­111 dB, versus dBFS, 195 Deck control protocols, 55 costs, 40 renting versus purchasing, 40 Digital asset management (DAM), 110­111 Digital Betacam FCP interfacing, 58 technical specifications, 57­58 Digital linear tape (DLT), archiving, 234­235 Digital video, historical perspec- tive, 4­5 Digital Visual Interface (DVI), 54 Director functions, 297­298 Documents, workflow, 13­14 Download, Web video, 167­168 Dual-link SDI, 54 DV-25 FCP interfacing, 56 technical specifications, 56, 78 DVCPRO FCP interfacing, 56 technical specifications, 56 DVCPRO HD FCP interfacing, 60 technical specifications, 60, 78 DVCPRO50 FCP interfacing, 57 technical specifications, 56­57, 78 DVD archiving, 234­235 screeners, 96 DVD Studio Pro, features and applications, 218 DVI. See Digital Visual Interface