12. Playing Live...Live

Most books written about music-production software would not include a chapter like the one you’re about to read. It’s not because the writers of this book are deranged or just trying to be different. It’s because Live can actually live up to its name in a live performance. As you will discover, it’s a true treat to use the same software to create your music and perform it. You won’t have to worry about converting songs from media your composing software uses into something Live can use. You won’t have to worry about transferring effect and instrument settings. The same tools you use to write can be used to play—just like any other instrument. After all, should the two processes really be that different?

Because of its flexible control methods and instant response to user input, Live is the perfect companion for a gigging musician. Live performs wonders in all types of scenarios, ranging from DJ gigs to improvisational music and theater. Regardless of what type of musician you consider yourself to be, I recommend reading all the information presented in this chapter. Any technique relating to the use of Live is pertinent—innovations can come from taking ideas from one musician’s style and applying them to your own style.